George Henry Jenkins (1838-1914) West Country Artist

George Henry Jenkins was a British landscape and marine painter whose evocative depictions of the Devon and Cornwall coastlines captured the spirit of the West Country during the late Victorian and Edwardian eras. Born in 1838, Jenkins lived and worked primarily in Devon, notably residing at 10 Saltram Terrace, Plympton, near Plymouth, from 1873 to 1880.

Family and Artistic Legacy

Jenkins married Hannah, and together they raised seven children. His second son, George Henry Jenkins Jr., followed in his father's artistic footsteps, becoming a painter in his own right. The father-son duo shared a passion for topographical subjects—landscapes and seascapes—but their styles diverged in palette: Jenkins Sr. favored more subdued tones, while Jenkins Jr. embraced vivid coloration, some of which were reproduced as postcards in the Picturesque Devon series.

Artistic Style and Influences

Jenkins painted in both oil and watercolour, focusing on coastal views, moorland scenes, and woodland landscapes. His work is characterised by a gentle realism and a deep appreciation for the natural beauty of the British countryside. Though not formally aligned with any major art movement, Jenkins's style resonates with the Romantic tradition, emphasising mood and atmosphere over strict realism.

He exhibited works painted in North Wales as well, suggesting a broader geographical interest, though his heart remained in the West Country. His peers included other regional painters such as George Oyston, Claude Hayes, and Percy Lancaster, who also specialised in landscape and marine subjects.

Market Presence and Artistic Impact

His works have maintained a steady presence in the secondary art market. Over the years, more than 360 of his artworks have appeared at auction, primarily in the UK, with occasional listings in the US, Canada, and Europe.

Typical auction estimates for his paintings range from £100 to £800, depending on size, condition, and subject matter. Notable sales include coastal scenes, moorland streams, and marine views, often signed and dated. His works are collected by enthusiasts of British regional art and occasionally held in public collections, such as the Plymouth City Museum and Art Gallery.

Jenkins's paintings offer a charming and authentic glimpse into the landscapes of 19th-century Britain. While not revolutionary, they are consistently well-composed, technically sound, and emotionally resonant. His art appeals to collectors who value regional heritage and traditional landscape painting. In today's market, Jenkins's works are accessible and collectible, often serving as entry points for those interested in Victorian landscape art. Their affordability and historical charm make them attractive for both seasoned collectors and newcomers.

Sources: Various webpages and articles